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“MUJI meets IDEE”是无印良品与日本家具品牌IDEE合作的一项长期企划，旨在用摄影纪录混搭两个品牌产品的家庭生活，如今该项目已迈入第三个年头。今年的照片锁定在了两组家庭。一组是年轻的夫妇，他们倚河而居在一套二手公寓里，钟爱收藏古董杂货，热情好客。而另一组则是“永远都充满着笑声”的欢乐幸福的四口之家。
Two of Japan’s most popular design stores joined forces 2010 to create Muji meets IDEE. The website is filled with beautiful images and fresh ideas for small spaces, perfect for summer and updated frequently.
Two of Japan’s most popular design stores joined forces 2010 to create Muji X Idee. The website is filled with beautiful images and fresh ideas for small spaces, perfect for summer and updated frequently.
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美国波特兰摄影师Missy Prince多年来一直行走在路上。她深受电影导演大卫林奇、塔科夫斯基、文德斯以及摄影师William Eggleston影响，翻看她的作品如同观看一部怀旧默片，令内心获得宁静之感，思绪也顺着荒原、沙漠和湖泊，延展开来。
Missy Prince is a photographer based in Portland, USA. From beautiful scenery to rural architecture, it’s a great body of work which captures the subtle colours and occasionally alien nature of the American landscape.
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立，建始也，夏，假也，物至此时皆假大也。这里的“假”，即“大”的意思，是说春天播种的植物已经直立长大了。万物至此皆长大，故名立夏也。
立夏后恰到好处的微风带来习习凉爽，竹子摇曳竹叶发出的沙沙声，勾着内心那个悸动，在忐忑中炎热的夏天就要到来。空调下避暑的我们，谁曾想到爱迪生发明电灯时，炭素灯丝便是京都竹制成的呢？摇扇清风萤火飞舞的溪涧，依旧与竹千丝万缕着，抱着西瓜端坐竹凉席上恐怕是夏季风物的记忆。竹中散发的萜烯芳香物质，有自然放松安神的效果，难怪夏天到了人也逐渐慵懒混沌起来。
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在地球日趋扁平化的当下。我们穿类似的衣服，吃差不多的食物。但是，我们仍然是与众不同的个体。究竟是什么让我们与众不同？摄影师Nanako Koyama试图通过“早餐”来寻找答案，“我认为，在起床后吃早餐前的那段时间里，人会处于一种清醒却不伪装的状态，这时候，人是最接近真实的自己。这也是我将早餐作为主题的原因”，Nanako Koyama说。
“In the modern era of expanding globalization. We wear similar clothes, we eat similar foods. But we are still different, still individuals.” The quote is from a photo project by Nanako Koyama called “Every Morning” showing a variety of breakfast rituals from Asia and Europe. “When eating breakfast, one’s brain finally becomes activated. To put it the other way around, before eating breakfast your brain is still kind of asleep and it feels like this is the only waking moment when you’re not really in control of yourself. I just thought this “being yourself” in the morning would be interesting to explore. This is why I chose breakfast as my subject.” – Nanako Koyama
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立，建始也，夏，假也，物至此时皆假大也。这里的“假”，即“大”的意思，是说春天播种的植物已经直立长大了。万物至此皆长大，故名立夏也。
立夏时节，初来的阳光也灼热起来，漫山浸染的翠竹，或许可带来些许凉意。说起竹，岁寒三友中的“松竹梅”，文人四君子的“梅兰竹菊”中皆有它的身影，与文化息息相关，但最能体现竹之特性的非竹工艺莫属。
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今日立夏 | 孟夏之日，天地始交，万物并秀。立夏物候：一候蝼蝈鸣；二候蚯蚓出；三候王瓜生。(Typography_More Tong)
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日本当红花艺大师川瀨敏郎(Kawase Toshiro)是“自然野趣流”的代表人物，他喜欢用一些古老、质朴、布满历史痕迹的器皿当做花器，依据时节到山野里找最当令的花叶，融入花器中，并持续在新潮社网站上连载“一日一花”专栏。川濑敏郎1948年出生于京都，自幼师从最古老的“池坊”花道，日本大学艺术学部毕业后，前往巴黎大学留学，回国后不拘泥于流派，回到花道的原点，从事表现“日本肖像”的自由创作。
Kawase Toshiro was born In 1948 in Kyoto. He has an undergraduate degree from Nippon University in Tokyo and did postgraduate work in theatrical production in Paris.
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