Japan photographer Muga Miyahara’s interpretation of tradition is most noteworthy in his works titled “Tokonoma”. The term refers to a built-in recessed space in a typical Japanese house, usually decorated with a calligraphic or pictorial scroll and an Ikebana flower arrangement. In Miyahara’s vision the Tokonoma becomes a stage presenting a cornucopia of different objects, inviting the viewer to explore a variety of ideas and thoughts. Although the arrangements are zen-like, very pure and simple, they have the effect of disturbing the viewer rather than expressing serenity and tranquillity. A lonely artificial leg, an empty shirt on strings, or knives hanging from the ceiling. Everyone can discover the invisible layers behind the objects for himself. The picture of three bombers and an ascending explosion cloud can – apart from obvious associations with war, air raids and nuclear attacks – be the starting point for various reflections about violence.