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艺术与文学类季刊《The White Review》第二期隆重登场，该刊由Benjamin Eastham、Jacques Testard担任主编，艺术方面仍然沿袭总监Ray O’Meara的一贯风格，本期更坚定了紧靠新写作与新兴艺术的决心，各部分内容按章节归类，凝练易读。第二期中不仅包含了William Boyd、Richard Wentworth等颇具影响力的艺术家、作家的深度访谈，还有来自瑞典摄影师JH Engström的作品“回家”，表现力极强绝不逊色于文字内容，令人期待。

Issue two of literary and arts quarterly, The White Review has arrived. Edited by Benjamin Eastham and Jacques Testard, and under the continued art direction of Ray O’Meara, No.2 strengthens their resolve to “stay close to new writing and emerging art” in a journal format, refined aesthetically and collected within chapter-like sections. The range of writing and sharp interviews, extended and unapologetic, include William Boyd, Richard Wentworth and JH Engström, whose accompanying photographic series Back Home is beautifully delivered with as much weight as the texts that flank it.

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《Émigré》是一本非常具有实验性的平面设计和字体设计杂志，由设计师Rudy VanderLans 1984年创办于旧金山，直到2005年停刊，共计出版了69期，第70期《Émigré》则为1~69期的精华集结。《Émigré》致力于电子类的创作活动和图形设计中的新兴力量，始终关注理论化和主观性的设计方法。Émigré同时也制作和销售字体，整个编辑部就像一个实验室，开拓了电脑设计和字体设计的先河。关于《Emigré》的背景故事，点击这里可以了解到更多。在《Émigré》宣布停刊后，日本《IDEA》杂志采访了Rudy VanderLans，我们翻译了这段访问，希望可以给到大家一些启示。

Émigré was a graphic design magazine published by Emigre Graphics between 1984 and 2005; It was first published in 1984 in San Francisco, California, USA. Art-directed by Dutch-born Rudy VanderLans using fonts designed by his wife, Czechoslovakian-born Zuzana Licko, Emigre was one of the first publications to use Macintosh computers and had a large influence on graphic designers moving into desktop publishing (DTP). Its variety of layouts, use of guest designers, and opinionated articles also had an effect on other design publications. Toshiaki Koga from IDEA Magazine featured an interview with Rudy VanderLans: here

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紧接着上篇文章，分享给大家墨西哥漫画家Rogelio Naranjo为早期的《Nexos》创作的许多优秀的政治讽喻漫画。

Rogelio Naranjo as the artist of much of the work in the last post on Nexos magazine.

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《Nexus》由历史学家Enrique Florescano于1978年创立，杂志从社会、科学和文学的角度探讨公众生活，批判墨西哥的社会和政治。在30年里，《Nexus》激起了许多知识性和学术性的争论，也记录了不稳定的政权、经济停滞、贫穷和不平等以及其他的变革阻碍。在墨西哥，《Nexus》有着不可动摇的地位，作为一本主张意识形态多样化的杂志，《Nexus》鼓励和激发了民主改革。

It was founded in 1978 by historian Enrique Florescano, with the idea of presenting segments of society, science, and literature in a publication that would think about and consider public life, and criticize the society and politics of Mexico. During thirty years, its pages have fostered intellectual and academic debate, documenting the precariousness of the state of the Right, economic stagnation, and poverty and inequities, among other obstacles of change. As a magazine that advocates ideological diversity, Nexos has encouraged and stimulated democratic reform.

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曾经介绍过的柏林独立杂志Ein Magazin über Orte（半年刊）即将于明天（4月8日）推出第八期。这是一本关于场所的杂志，新一期的地点是天堂。

Berlin-based independent magazine Ein Magazin über Orte No.8 is about PARADISE.

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杂志界又添丁！Correspondencia是一本文学艺术杂志，来自阿根廷布宜诺斯艾利斯，季刊。该刊的创办人Juan Ignacio Moralejo也是阿根廷慢活杂志《Sede》的编辑，西班牙家居杂志《Apartamento》的特约编辑。从Wolfgang Tillmans、Mark Borthwick出现在杂志第一期的特约供稿人名单中，也可大略猜出，杂志的基调应当是比较松散和年轻的。

The former editor of Sede, contributing editor to Apartamento, Juan Ignacio Moralejo, is launching a new publication Correspondencia. Correspondencia is a new literary and arts magazine published quarterly in Buenos Aires, Argentina.The first issue includes contributions from Wolfgang Tillmans on Patagonia and Mark Borthwick.

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因在书籍设计上使用独特的手绘文字而被人所知的平野甲贺先生，自1960年代初期开始从事设计活动，迄今为止已经亲手装帧了6000册以上的图书。本特辑以手绘文字和晶文社的书籍设计为中心，介绍了他所设计的地下剧团的海报、演奏亚洲南美反抗歌曲的水牛乐团传单、内部刊物，以及自营剧场的活动等。平野先生的工作通常随着人与人的联系和与各集团深入的关系而进行，由被人熟知的形体形成活动构成。 在接受采访时，他提到从年幼时开始便有想成为设计师的想法，还分享了对手绘文字和设计的看法，他的工作的体验以及基于思考而展开的丰富的插图作品。

（Thanks to kimiTo）