
Yoko Ono poster, 1997-98
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牛津现代艺术博物馆(Modern Art Oxford)为了庆祝其在2015年的50周年生日,提前展开了名为”50:50″计划——由艺术家组合Simon & Tom Bloor从其近50年来的展览档案中精选50张海报,每一张海报都堪称经典,亦是对当代艺术史的一次回顾和致敬。
Modern Art Oxford is beginning its 50th birthday celebrations early (it is 50 in 2015), with a website containing a collection of 50 posters from its exhibition archive, chosen by artists Simon & Tom Bloor.
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摄影师Thom Atkinson在《FT》杂志的委任下,拍摄了Wellcome Collection收藏的医疗文物。即使暂时没有机会亲临这座位于伦敦的医疗文物收藏展览馆,也可以一睹拥有几十年甚至上百年历史的,极具艺术特色的医疗文物。
关于Wellcome Collection(via):
Wellcome Collection在伦敦是十分特殊且具教育意义的展览场馆,它属于英国最大的医疗慈善集团Wellcome Trust信托基金会。常设展之一是用来陈列基金会庞大的医疗文物收藏,常设展之二则是利用多元媒体与当代艺术装置来呈现医疗生物科技,另一个空间则规划不定期特展。基金会创始人Henry Solomon Wellcome从小在药店当学徒,对生命科学、医疗史培养了浓厚兴趣,长大后除了经营药厂,更成为医疗文物收藏家。
Photographer Thom Atkinson recently had the run of the Wellcome Collection for a feature in the FT Magazine on the organisation’s 75th anniverary. Here are some of the extraordinary objects he shot for the piece.
Wellcome Collection is a free visitor destination for the incurably curious. Located at 183 Euston Road, London, it explores the connections between medicine, life and art in the past, present and future. The venue offers visitors contemporary and historic exhibitions and collections, lively public events, the world-renowned Wellcome Library, a café, a bookshop and conference facilities.
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Mitsuru Katsumoto 1961年出生于日本滋贺县,现居东京。关于她的资料不多,从作品来看,她似乎试图将“绿色”贯穿在她的每次创作乃至生活的每个狭小缝隙之中,很可爱也很特别。用一点小心思小喜好,装扮一下趋同的世界和物件,生活也随之焕发了新的生气。(摄影:Bunsei Matsuura)
Mitsuru Katsumoto born in 1961 in Shiga Prefecture, now lives in Tokyo. Katsumoto had a first exhibition in 1995, titled Secret Garden, which was only an introduction to a secretive world of eye-catching detail and anachronistic furniture. (Photographs by Bunsei Matsuura)
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将一只空酒瓶放在你的面前,你会画上怎样的图案?
1980年代,安迪·沃霍尔像赞美女人完美的曲线一样,想要在一只酒瓶瓶身上做点什么手脚……于是,一件艺术收藏界的珍品因这只酒瓶得以传承。在此之后,几百位艺术家为这只瓶子,贡献出了自己的得意之作。这些作品出现在广告、杂志书籍、地铁站、甚至是博物馆中。你一定早就猜到了,这只在艺术界地位非同一般的瓶子叫ABSOLUT。
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艺术与文学类季刊《The White Review》第二期隆重登场,该刊由Benjamin Eastham、Jacques Testard担任主编,艺术方面仍然沿袭总监Ray O’Meara的一贯风格,本期更坚定了紧靠新写作与新兴艺术的决心,各部分内容按章节归类,凝练易读。第二期中不仅包含了William Boyd、Richard Wentworth等颇具影响力的艺术家、作家的深度访谈,还有来自瑞典摄影师JH Engström的作品“回家”,表现力极强绝不逊色于文字内容,令人期待。
Issue two of literary and arts quarterly, The White Review has arrived. Edited by Benjamin Eastham and Jacques Testard, and under the continued art direction of Ray O’Meara, No.2 strengthens their resolve to “stay close to new writing and emerging art” in a journal format, refined aesthetically and collected within chapter-like sections. The range of writing and sharp interviews, extended and unapologetic, include William Boyd, Richard Wentworth and JH Engström, whose accompanying photographic series Back Home is beautifully delivered with as much weight as the texts that flank it.
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艺术家Armén Rotch用茶包作为素材/色块,创造出各种图案。特殊的元素,丰富的细节,考究的排列方式,每只浸染后的茶袋所呈现的不同状态⋯⋯不论是远瞻或近观,一定都很有看头。
Armenian artist Armén Rotch makes everything from prints, large-scale canvases and sculptures — all from mere tea bags.
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杂志界又添丁!Correspondencia是一本文学艺术杂志,来自阿根廷布宜诺斯艾利斯,季刊。该刊的创办人Juan Ignacio Moralejo也是阿根廷慢活杂志《Sede》的编辑,西班牙家居杂志《Apartamento》的特约编辑。从Wolfgang Tillmans、Mark Borthwick出现在杂志第一期的特约供稿人名单中,也可大略猜出,杂志的基调应当是比较松散和年轻的。
The former editor of Sede, contributing editor to Apartamento, Juan Ignacio Moralejo, is launching a new publication Correspondencia. Correspondencia is a new literary and arts magazine published quarterly in Buenos Aires, Argentina.The first issue includes contributions from Wolfgang Tillmans on Patagonia and Mark Borthwick.